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56.
BANGERS
This
small
office building is home to a small pornography
production crew. The owner, Chester Smalls, was
making his dream come true, he was making an epic
action film… but he was cutting corners every step of
the way, doing a lot of rogue filming without permits,
he never acquired insurance, and he was using
uncertified stunt men and pyro-technics guys. He
also had been in a lucky position and had managed to
court a young but rising star, Luke Swanson, who had
already achieved national notice for his performance
on a television cop show. Unfortunately, his
cost cutting included safety measures, and the young
actor along with 3 crew members were killed in an
explosion that went horribly wrong.
Chesters
face was badly burned in the accident, but he was able
to grab the footage that had been filmed and as much
equipment as he could, and fled to the Combat
Zone. However with his face plastered all over
the news, he was soon recognized. Stomp Street
approached him, offering him protection, but in return
he would have to make the movies Stomp wanted him to
make, pornography. Stomp promised that one day
they would fund him the money to finish his film, and
even help with his legal fees… but this quickly turned
out to be a pipe dream, as they have more or less kept
him captive in the Zone, churning out skin
flicks. Chester has however, been making headway
in meetings with Carnicero and has been given the go
ahead to finish his action film as a porno, provided
he does not leave the Zone.
 Bangers Studios knocks out
about 2 films a week. Most tend to have a heavy
gang influence, and feature a majority of Hispanic
actors and actresses. They are small quick
films, but a few of them have been a bit edgier or
more artistic in nature. He is also fond of
using cyber-enhanced men and women, and even pairing
full conversions with unaugmented partners.
Stomps main pimp, L’il Miggy despises Chester, and
vice versa, as Chester refuses to allow Miggy to use
his girls, or to get in on the action… Though Miggy
has started making his own, much more abusive and
exploitive films, which Chester is forced to edit and
produce.
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